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Meet the Artist: Terry Whidborne

Terry Whidborne has worked in the advertising industry for many years, and is now recognised as one of Brisbane’s most senior award-winning Art Directors. But as Terry’s family grew, so did his interest in illustration. He began developing his style for clients such as Vogue, Virgin Blue and many of London’s top ad agencies, before deciding that what he really wanted to do was concentrate on books, film and animation. He lives in Brisbane with his wife and two children.
Terry is one of the artists exhibiting his work at the 2025 Book Links Exhibition: StoryArt at the Richard Randall Gallery 4 -13 April.
Thank you for talking to StoryLinks.

When did you realise that you wanted to be an artist?
Drawing has been with me from a very early age. It wasn’t until my late teens that I realised it was always there, just waiting to be let out. My first paid job was when I entered the advertising field, where I was paid to create images for clients etc.

What were your favourite illustrations/illustrator as a child?  Did they inspire you?
• William Morris – master of fauna and flora with his patterns. This guy has certainlyinspired my work, especially with Faeries of Tasmania.
• Dave McKean – can mix traditional with digital which creates other worlds.
• Quentin Blake – his playfulness with linework always captures the character so simply.
• John Bauer – he had a way of capturing such a magical environment with mood
and delicate approach with watercolour.
• Jim Henson – characters, inner child, fantasy, all spoke to me in one way or
another. With that came Brian Froud, another fantasy artist.
• Ray Harryhausen – stop motion guru. I was glued to his films as a kid with his
amazing stop motion characters. Simply a legend.

What is your preferred medium to work in?
Watercolour and digital. I love watercolour with its delicate build of colour and overlapping of hues which create such a light approach to illustrating. It has a way of absorbing into the paper with variation that can influence the overall aesthetic of the piece. I use digital illustration to really get in deep with lighting and shadows and to experiment with colour with infinite undoes, which is a great comfort blanket.
How would you describe your art style? 
Whimsical with a light touch of darkness. I like real world magic/fantasy, creatures that could inhabit our world. The real world does have darkness and in a way my art reflects that. It just naturally happens that way.
Where and when and how do you work?
Inspiration can come from anywhere. From nature or a story in someone’s life. Once an idea hits, it’s then time for a pencil to scrape across the paper. Once I’m happy, it’s then time to think about the best approach for the idea, is it watercolour, digital or a model. It needs to work with the narrative and sit comfortably with it.

Screenshot

What are the challenges of working with a writer as opposed to creating both text and art. Do you have a preference/ambition? Is there a writer you would like to workwith?
I love to write and illustrate my own stories. Total freedom with how you see a project. Working with a writer does have its positives and negatives. Positive being that other writers can bring a different angle to how you would see things. The negative is that some writers have strong opinions of how illustrations should look which goes against your style or approach.
Is there an iconic children’s work that you would like to illustrate?
Roald Dahl would be a dream. His whimsical nature with a hint of darkness works well with my approach.
Can you tell us something about the pieces that you are going to exhibit at the Richard Randall Art Studio? Why did you choose these? Are any significant in any way?
Currently I’ve taken the approach of dioramas. Creating illustrations or models that tell a story without words. They all are part of the Faeries of Tasmania project, which has dominated my life for some time. I’ll have digital, sketches and models, which is a good cross section of what I do.
Books by Terry Whidborne
Pyjama Foundation – (charity books)
Animal Rescue series – written by Jacqui French
The Lock – adult graphic novel
Oh-0h! series – written by Ron Jon
Word Hunters Trilogy – written by Nick Earls
Faeries of Tasmania Vol 1
Faeries of Tasmania Vol 2

The StoryArt Exhibition is annual event showcasing local artist-illustrators whose work includes creating beautiful books for children.

The participants will have illustrations, models and other art on display. Books will be available for purchase.

Join us for UP LATE  at the Book Links Story Art Exhibition on Friday 4 April, from 5:00pm @Richard Randall Art Studio, Mt Coot-tha Botanic Gardens. Free admission – bookings open now.

Exhibiting along with Terry Whidborne are:
Niña Nill – Kittens Do Not Care For Baths by Ali Rutstein, Published by Hardie Grant, Oct 2024; Ladybirds Do Not Go To Day Care written by Ali Rutstein, Published by Hardie Grant, Nov 2023; We’re Moving Away Hardie Grant Aug 2023;
Sue Wright – polymer clay sculptures of mythical and fictional creatures, Tiny Owl
Brent Wilson Frog, Log and Dave Almost Save the Day by Trent Jamieson Published by Penguin 4 March 2025, Laugh in the Bath by Rory Mather Published by Affirm Press January 2025; Mr Impoppable by Trent Jamieson Larrikin House May 2024
Clare McFadden – The Book of Hours published by Walker Books April 2024; The Flying Orchestra published by UQP 2019
Blithe Fielden – Dinosaur in My Pocket (Ashleigh Barton) Published by Lothian (Hachette) March 2024
Hélène Magisson – Mumma Bear by Rory Mather,  Noisy Noisy City written by Andrew Kelly; Willow’s Gumboots  by Beverley McWilliams; All About Magical Creatures Written by Izzy Quinn
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